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Topics
Architecture
and Religion
Distinctions and similarities between the Dissenting and
Nonconformist chapel and Established and Roman Catholic Church
architecture since the eighteenth century. Chapels considered in
relation to the broader historical tradition of European and British
ecclesiastical architecture. Denominational distinctives in terms of
architectural style and plans. A comparison of Calvinistic and
Lutheran conceptions of the place of worship. Word-orientated
worship: chapels and synagogues compared.
Theology,
Liturgy, and Church History
Form and content: the impact of theological and liturgical
considerations on chapel design. The Reformation and Puritan
conception of the place of worship. Architectural revivals and
theological decline. Religious images in the place of worship.
Rhetoric and architecture. Religious symbolism and biblical
allusions in the architecture and decorative elaborations of
Dissenting architecture. The concept of the sacred building in the
Old and New Testaments the significance and use of chapel names.
Architecture,
Art, and Taste
Colonisation and adaptation: the meeting house, early chapels, and
vernacular buildings. The historical evolution of architectural
style. Classicism: the rhetoric of architecture. Chapels and debate
surrounding a Christian architectural style. Architectural
eclecticism and Postmodernity. The influence of prevailing
architectural trends on chapels since the eighteenth century. A
comparison between chapel architecture and civic, industrial, and
railway buildings. The builders and architects of Nonconformity.
Skills and materials. 'Tin-Tabs' and mission halls. Form and
function in the architectural design of chapels: ground plans,
structure, and sub-divisions. Architectural lettering. The
application of the decorative arts: stained glass, wrought iron
work, stencilling, lettering, and other embellishments. Dissenting
aesthetics: visualizing spiritual values and ideals. The pertinence
building and decorators' manuals, year books, and chapel histories
to an understanding of chapel architecture.
Utility
and Expedience
The music box: considerations in the design of chapels for singing,
orchestras, and organs. Analogical correspondences between the
structure of hymns, sermons, services, and chapel architecture. The
preaching box: the implications of public speaking for the
acoustics, size, ground plan, pulpit, and galleries of the chapel.
Chapels and theatres: staging religious drama, pageants, and tableau
vivants. Chapels and education: the design of the Sunday schoolroom.
Considerations in the design of the vestry and vestibule,
baptisteries, pulpits, pews, and the Lord's Table: chapel
furnishings and the accoutrements of worship. Devices for the
heating, illumination, and ventilation of chapels and their impact
on interior and exterior design and layout. Entrances and exits:
facilitating safety and the access and departure of congregations.
The vestry as a context for customs of greetings and farewells.
New
Nonconformity
Pentecostal and charismatic churches: new modes of worship and their
implication for the interior layout of the place of worship. Without
architecture: the house church movement and the revival of
Early-Church worship. Evangelicalism, Neo-Puritanism, and the place
of worship. Contemporary denominational architecture. New wine in
old wine skins: adapting historical buildings to meet the needs of
contemporary congregations.
Representation
The visual representation of chapels since the eighteenth century:
documentation and interpretation. Art as research: the use of
photography, drawing, and painting to embody knowledge and
understanding. The depiction of chapels in film and literature
(including novels, poetry, biographies, and historical monographs on
chapels). Chapel and landscape. The chapel as cultural and religious
icon. Issues of representing chapels today: depicting dereliction,
disuse, decay, and doubt; transcending sentiment and nostalgia;
formal and abstract approaches to rendering chapels; Postmodernity
and architectural representation. Historical precedents: the
representation of Protestant churches in seventeenth century
Holland. Architectural drawings and artists' impressions of chapels.
Preservation
Why should chapels be preserved. Principles and examples of
documenting, cataloguing, maintaining, and restoring chapels. The
issues of selection: prioritization, quality, and uniqueness.
Existing databases. Database technology. The contribution of oral
history. The role of local congregations. Funding preservation.
Scholarship as a means of preservation.
Congregations
and Community
Architectural style and class values. Working-class attitudes chapel
architecture. The segregation of the sexes in worship. Women and the
maintenance and decoration of the chapel's interior. Chapels as a
context for social functions: weddings, funerals, and anniversaries.
Chapels as a context for cultural events, religious festivals and
services. Identity and belonging. Hierarchies of office and the
concept of laity: the implications for the chapel's ground plan and
seating arrangements. Revivals and congregational growth. The
funding and maintenance of chapels: patronage, income, giving, and
expenditure. The significance of chapel culture at the end of the
eighteenth, nineteenth, and twentieth centuries: a comparative
study.
Nations
and Countries
National trends in architectural style. Architecture and
nationalism. Meeting-houses in America during the colonial period.
The New-England meeting-house. Chapels and Nonconformist churches in
Protestant countries in Northern Europe. Huguenot church
architecture in nineteenth century France. Protestant churches in
Holland and Switzerland since the seventeenth century.
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